STATEMENTS |
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STATEMENTS |
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| NO!art |
is anti worldmarket-investment art. Artworldmarket-investment art equals cultural manipulation.
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| NO!art | is against "clinical", "scientific" estheticisms: (such estheticisms are not art). | |
| NO!art |
is against the pyramiding of artworldmarket-investment-fashion-decorations ("minimal", "color field", "conceptual"): such games-decorations are the sleeping pills of culture. It is against "phantasy" in the service of the artmarket.
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| NO!art | is against all artworldmarket "salon" art. | |
| NO!art |
is anti Pop-art: Pop-art is reactionary it celebrates the glories of consumer society, and it mocks only at what the lower classes consume the can of soup, the cheap shirt. Pop-art is chauvinistic. It sabotages and detracts from a social art for all.
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| NO!art |
is anti chauvinistic: (Domination by any national "school" is based mainly on the size of investment capital available. Domination by any national "school" is equivalent to cultural imperialism).
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| NO!art | is the crisis art of cultural suffocation. | |
| NO!art |
is socially relevant personal expression it is social art, it is protest art, it is political art, it is anti-art (anti artmarket art).
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| NO!art |
naturally creates new esthetic forms or naturally operates within contemporary esthetic forms. Form (style) naturally derives from content, esthetic innovation is but a by-product of free unhampered expression.
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| NO!art | abhors the "clinical", "scientific", pseudo-esthetic search for "esthetic innovation". | |
| NO!art |
opened up and influenced certain artworldmarket deviations for which it cannot be held responsible. It is at the misgrown root of artworldmarket Pop-art, of certain present day erotic-escapist, and horror-for-the-sake-of-horror work.
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| NO!art |
influenced positively present day political art, underground press and underground films and comics, "subversive" advertising in underground press, art (guerrilla) action groups, events of social content.
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| NO!art | fighting since 1959 from within the Lion's Mouth in New York City. | |
| NO!art |
ruthlessly suppressed and decimated but not eliminated or exterminated by artworldmarket suppression.
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| NO!art | from Pinups to Excrement: a social art rebellion. | |
| NO!art |
is "programmatic", through theme shows and manifestations freely growing within co-operative group effort. Each show, manifestation, naturally pointing towards next activity.
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| NO!art |
attempts to influence life through art and therefore calls for quick strategic artistic response.
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| NO!art | done from the gut, is not an artistic occupation. | |
| NO!art | The time for Yes-art is not at all at hand. | |
| Published by Boris Lurie as Flyer for the show "ART and POLITICS", Karlsruhe Kunstverein (Germany 1970) also in: Lurie, Boris; Krim, Seymour: NO!art, Cologne 1988 |
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