NO!art imprint and copyright informations

NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is, in my opinion, entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". An example would be the Italian painter De Chirico, who dated his late paintings with early years, on the basis that the idea had come to him at that early date, but he got around to executing it only at the later date - quite valid, in my opinion - yet the art market hated it, for practical reasons of creating confusion about monetary value. That is, in my opinion, the main and real reason for art historians and critics insisting on this untrue measure. — Boris Lurie, 2003.

Founded 1960 in New York by Boris Lurie, Sam Goodman and Stanley Fisher.
NO!art headquarters: Dietmar Kirves, Berlin, since 1978.
World wide web since February 26, 2000.
Webmastering: Dietmar Kirves, Berlin
Technical advice: Felix Kirves, Berlin
Archives: Dietmar Kirves, Berlin.
Involved artists in the NO!art movement: Armento + Aronovici + Baj + Baratella + Brown + Brunet + Bruno S. + Brus + D'Arcangelo + Dayen + Ehm-Marks + Enzo + Erro + Fabricius + Gatewood + Georges + Gerz + Gillespie + Gilman + Goldman + Golub + Hallmann + Kaprow + Kirves + Kusama + Kuzminsky + Lebel + Levitt + Long + Mead + Meseck + Patterson + Picard + Pinchevsky + Rancillac + Salles + Salmon + Scheibner + Stuart + Tambellini + Tobocman + Toche + Tsuchiya + Vostell + Wall + Wolf + Woytasik + Zownir.
Bibliographical research: Dietmar Kirves, Berlin; Estera Milman, New London, CT (USA); Inga Schwede, Leipzig (Germany).
Translations: Nicole Becker, Dietmar Kirves, Felix Kirves, Mathilda Wolf, Berlin.
Thanks to the photographers Pasha Antonov, Lordville (USA); Martin Blake, Berlin; Rudolph Burkhardt, New York; Amikam Goldman, Tel Aviv; Bob Harris, Venice; Dietmar Kirves, Berlin; Volkhard Knigge, Weimar; Christian Larrieu, Paris; Susanne Lattek, Berlin; Vincenzo Mastrangelo, Sapri (Italy); Clayton Patterson, New York; Naomi T. Salmon, Weimar; Jon Schneeberg, New York; Natalia E. Woytasik, Sapri (Italy), and all unknown photographers.
Copyright by the Artists, Authors, Editors and Photographers themselves. NO!art needs no copyright. NO!art goes on!

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`NO!art occupies the strategic juncture where artistic production meets socio-cultural action. NO!art targets are the hypocritical intelligentsia, capitalist culture manipulation, consumerism, and other molochs. NO!art aims total unabashed self-expression in art leading to social involvement.www.no-art.info` `NAVIGATION`		NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is, in my opinion, entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". An example would be the Italian painter De Chirico, who dated his late paintings with early years, on the basis that the idea had come to him at that early date, but he got around to executing it only at the later date - quite valid, in my opinion - yet the art market hated it, for practical reasons of creating confusion about monetary value. That is, in my opinion, the main and real reason for art historians and critics insisting on this untrue measure. — Boris Lurie, 2003. Founded 1960 in New York by Boris Lurie, Sam Goodman and Stanley Fisher. NO!art headquarters: Dietmar Kirves, Berlin, since 1978. World wide web since February 26, 2000. Webmastering: Dietmar Kirves, Berlin Technical advice: Felix Kirves, Berlin Archives: Dietmar Kirves, Berlin. Involved artists in the NO!art movement: Armento + Aronovici + Baj + Baratella + Brown + Brunet + Bruno S. + Brus + D'Arcangelo + Dayen + Ehm-Marks + Enzo + Erro + Fabricius + Gatewood + Georges + Gerz + Gillespie + Gilman + Goldman + Golub + Hallmann + Kaprow + Kirves + Kusama + Kuzminsky + Lebel + Levitt + Long + Mead + Meseck + Patterson + Picard + Pinchevsky + Rancillac + Salles + Salmon + Scheibner + Stuart + Tambellini + Tobocman + Toche + Tsuchiya + Vostell + Wall + Wolf + Woytasik + Zownir. Bibliographical research: Dietmar Kirves, Berlin; Estera Milman, New London, CT (USA); Inga Schwede, Leipzig (Germany). Translations: Nicole Becker, Dietmar Kirves, Felix Kirves, Mathilda Wolf, Berlin. Thanks to the photographers Pasha Antonov, Lordville (USA); Martin Blake, Berlin; Rudolph Burkhardt, New York; Amikam Goldman, Tel Aviv; Bob Harris, Venice; Dietmar Kirves, Berlin; Volkhard Knigge, Weimar; Christian Larrieu, Paris; Susanne Lattek, Berlin; Vincenzo Mastrangelo, Sapri (Italy); Clayton Patterson, New York; Naomi T. Salmon, Weimar; Jon Schneeberg, New York; Natalia E. Woytasik, Sapri (Italy), and all unknown photographers. Copyright by the Artists, Authors, Editors and Photographers themselves. NO!art needs no copyright. NO!art goes on!

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