NO!art occupies the strategic juncture where artistic production meets socio-cultural action.
NO!arthas continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial.
Cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market.
The cutting-offdates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value.
That isthe main and real reason for art historians and critics insisting on this untrue measure. >>> read more

Involved artists in the NO!art movement: Rocco Armento, Isser Aronovici, Enrico Baj, Paolo Baratella, Herbert Brown, Ronaldo Brunet, Bruno S., Günter Brus, Al D'Arcangelo, Aleksey Dayen, Frank-Kirk Ehm-Marks, Enzo Mastrangelo, Erro, Klaus Fabricius, Charles Gatewood, Paul Georges, Jochen Gerz, Dorothy Gillespie, Esther Gilman, Amikam Goldman, Leon Golub, Blalla W. Hallmann, Harry Hass, Detlev Hjuler, Allan Kaprow, Dietmar Kirves, Yayoi Kusama, Konstantin K. Kuzminsky, Jean-Jacques Lebel, Martin Levitt, Suzanne Long, LST, Stu Mead, Peter Meseck, Clayton Patterson, Lil Picard, Leonid Pinchevsky, Bernard Rancillac, Francis Salles, Naomi T. Salmon, Reinhard Scheibner, Dominik Stahlberg, Michelle Stuart, Aldo Tambellini, Seth Tobocman, Jean Toche, Toyo Tsuchiya, Wolf Vostell, Friedrich Wall, Mathilda Wolf, Nathalia E. Woytasik and Miron Zownir.